52 pages 1 hour read

Supriya Kelkar

Ahimsa

Fiction | Novel | Middle Grade | Published in 2017

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Themes

Nonviolent Protest and Working for Ahimsa

The novel introduces the concept of ahimsa early in the story, and at that point Anjali doesn’t quite understand it. She sees political activity as something that other families become involved with, but this starts to change when Ma announces that she’s joining the freedom fight. Anjali’s parents don’t necessarily struggle in the same way that Anjali does; they “always knew one of us would be going to join the freedom fight” (35), but even they don’t quite understand what it will mean for their family. As Anjali learns more about ahimsa, she teaches them how to persevere, making this novel a dual story about both Anjali and her parents, especially her mother, within the freedom movement.

As a work of historical fiction, the novel provides context about Gandhi’s nonviolence movement, introducing this theme when Anjali’s parents reveal that Ma will be joining. However, Anjali’s thought that “she would be just like her classmate Anasuya, always wondering where her father was and if he was all right” (32), reveals how so often men, rather than women, went to fight for freedom. This gendered dynamic undoubtedly makes Anjali initially feel even more disconnected from the cause because she isn’t aware of female role models involved in Gandhi’s movement. This changes when her mother goes, and Anjali learns more about the female role models in her father’s life and eventually becomes part of his list too.

At first, Anjali and Ma see the movement as relatively straightforward: They make and wear khadi, they go to meetings, and they help the Dalits. The stakes seem relatively low in the beginning. However, at various points, Anjali must contend with how others come to view her and her mother. A central moment in this struggle occurs when she and her mother clean the outhouse for the first time. Anjali is “not sure if she was more embarrassed by what she was almost spotted doing, or by how quickly she gave up the job of pushing her own waste to Mohan” (135). When she realizes that she feels worse for him, she undergoes a major transformation by not only taking the cart back from him but also by then announcing to her neighbor that they were “[j]ust coming back from the field. We cleaned our toilet” (139). When Anjali commits to something, she’s unwilling to compromise and shows her support to all those around her, a skill that proves useful when her parents begin to doubt their mission.

Ma’s arrest is likewise a central moment. Anjali feels despondent and alone, especially since Irfaan is upset with her and with Hindus in general. However, she doesn’t let this fear stop her from encouraging others to believe in the movement. For example, Anjali rallies her mother each time she starts to doubt herself, reminding her, “You are as brave and as strong as the Rani of Jhansi […] You did the right thing, Ma. And the British will not win” (218).

The novel’s climax comes during Keshavji’s funeral procession, which challenges Anjali to not only put her social standing at risk, as she did in working to integrate her school, but also to put her life at risk. When the procession turns violent toward Captain Brent, it isn’t an adult who stands up to remind Keshavji’s followers to remain peaceful; it’s Anjali and then Irfaan, who are children. This is far cry from Anjali’s decision to paint a “Q” on Captain Brent’s office at the start of the novel; instead, she’s protecting him because she believes that ahimsa (nonviolence) is the only way forward.

Recognizing One’s Privilege as Part of Solidarity

When Ma initially joins the freedom movement, she has the best intentions to help those society refers to as “Untouchables.” She recognizes the surface-level injustice of having a caste deemed so low that they could contaminate those around them by their very presence but doesn’t initially consider their preferences. However, by immersing herself in the Dalit community, she and Anjali both come to recognize their privilege while also advocating for Dalits.

Like most people around her, Anjali initially takes Dalits for granted. She doesn’t like it when Chachaji yells at Mohan, but she does little to stop him. However, when Ma picks up the broom, Anjali’s reaction is to say, “You’re getting so dirty. You’re going to look like them” (71). Her statement illustrates how Anjali feels separate from the “Untouchable” caste, revealing her prejudice. Her privilege is ingrained in her as “tales passed down generation to generation for a societal purpose” (72). When Anjali comes to accept her mother’s action is the first part of her journey to standing in solidarity with Dalits.

However, Ma’s decision to use “Harijan” at first because it’s the term that Gandhi uses shows an unawareness of what the Dalits themselves want. Mohan himself told Anjali, “Your Gandhi is wrong. Calling us children of God is talking down to us. It’s insulting. And it solves nothing” (101). Mohan explicitly gives Anjali pause, and she shows her openness to change in questioning whether Harijan is the correct term and thereby questioning both her mother and Gandhi.

In fact, Ma lets her privilege make her not actually listening to those who are trying to help at several moments. The first is when she tells Mohan that he no longer needs to clean their toilet. While on the surface this is a good endeavor, Ma both removes his source of income and assumes that everyone else will follow suit so that Mohan no longer needs to do a job perceived as lowly. When he reminds of her of this, Ma must reckon with her privilege, admitting, “I guess sometimes we get carried away and don’t think things through” (133). However, by starting to listen to Mohan and the needs of the other children in the basti, Ma and Anjali are better able to advocate for them. They use their privilege to stand up to those who treat Dalits poorly without taking away the Dalits’ voices, and they recognize that change requires support, as when they rally to provide uniforms, books, and meals for those who will attend the school so that they can feel that they’re just like the other students. Anjali’s advocacy is clearly effective in that she convinces her other classmates to come to the school.

Internal and External Conflicts of Religion and Nation

India’s political and religious climate is complex, and this novel highlights the difficulties that Indian people faced in the mid-20th century in balancing relations between Hindu and Muslim citizens and their struggle against British rule. This comes to a head during riots in Anjali’s village that cause strife even between her and her friend Irfaan, who is Muslim. However, by highlighting the nuances of both this internal conflict between Indians and their joint external conflict against British rule, the novel demonstrates how difficult it was to effect substantive change in behavior toward the caste system.

Irfaan and Anjali’s friendship symbolizes the relationship between Muslims and Hindus. They act like siblings toward one another, and Irfaan celebrates Diwali and Holi with Anjali; likewise, she celebrates Eid al-Fitr with him. She notes early on that they’ve built traditions around each of their respective holidays. On Diwali, Irfaan gives her crayons, and she gives him badam barfi, “celebrating the bond between brothers and sisters” (89); on Eid, they switch. Their unity symbolizes what good relations between followers of each faith can look like, and while Anjali “knew that Islam and Hinduism were totally unlike each other,” she hadn’t “dwelled on the differences” before (168). She accepts Irfaan’s faith, and he accepts hers.

When Irfaan and Anjali clash, Anjali worries that their friendship will never recover, and she even lets her own fear get in the way of their friendship. When Baba asks her, “Did you blame him for what other Muslims did?” (235), Anjali is forced to reckon with the fact that some conflict is okay. Eventually, the two reconcile when larger problems arise, like Nandini’s health and the subsequent birth of Ahimsa. Their ability to come together symbolizes how Indians, both Muslims and Hindus, come together to resist British rule, and while this doesn’t happen in the novel itself, it’s embodied in both Anjali and Irfaan’s calling for ahimsa when the funeral procession turns violent.

In addition, the larger effects of the riots are evident in the novel, as the internal conflict between Hindus and Muslims distracts from the larger freedom movement because of the imposition of a curfew. Anjali’s attempts to integrate her school are postponed, leading to frustration for many. Likewise, the Joshi family experiences violence from Hindus who are already riled up by the conflict with Muslims because they’re working to change the caste system, and Ma becomes a scapegoat for the British. Her arrest illustrates the complex political dynamics in India and the ways that the British used the conflict between Hindus and Muslims to reassert control and simultaneously try to quash the freedom movement.