90 pages 3 hours read

Erich Maria Remarque

All Quiet on the Western Front

Fiction | Novel | Adult | Published in 1929

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Chapter 6Chapter Summaries & Analyses

Chapter 6 Summary

The men head back to the front, passing a schoolhouse along the way with coffins stacked against it. The men debate who the coffins are for, and this image foreshadows what’s to come—a long chapter that graphically portrays the horrors of trench warfare. While in the trenches, the men quickly lose their spirits because they estimate the extent of the weaponry the enemy is bringing in and because some of the men in the trench are wounded by shells that have misfired from their own side. Paul discusses luck and chance, which he explains as the cause for staying alive while war rages all around. While in the trenches, the men must be on the lookout for rats that steal their bread. Paul describes the war against the rats within the trench and the ways the men devise ridding themselves of the rodents.

A gas attack takes place at night, but what really concerns the men is all the movement behind the enemy lines. They are nervous and have growing anxiety at the accumulation of arms on the other side, which they can hear. Finally, a bombardment commences, and Paul describes some of the carnage, including a man who has been lucky to escape alive but now is shell-shocked. The company experiences the interminable bombardment (lasting 3 days), during which food is scarce. The men are becoming famished and are losing their grip. A new recruit panics and tries to run out of the trench. Kat and Paul attempt to prevent him from leaving because it will be certain death if he does, and they end up having to give him a beating.

The enemy finally begins the combat attack, and the men in the trenches all come out and respond with weaponry of their own. This includes machine guns and grenades. Paul records the horror of the fighting in gruesome detail. As the combat concludes for that day, Paul is given watch duty and soberly reflects on how his life is forever changed. He shares his memories of quiet things and scenes that he cannot experience at the front.

Back in the trenches the next day, the men hear a man screaming in anguish and pain and try to determine where he is. Ultimately, they realize that they cannot help him. More descriptions of carnage and gruesome details of the front ensue. This includes a tangent where Paul speaks about the new recruits who are at the front entirely unprepared and are killed in high numbers. Himmelstoss appears in a trench before Paul and Paul kicks him and curses him to get out; finally he does when the counterattack commences. At the end of the long deployment at the front, Paul’s company, which was once 150 men, is now only 32.

Chapter 6 Analysis

Much like Chapter 4, this chapter is predominantly action-packed and graphic. The realism of the scenes is so intense that at times they feel almost surreal. At the outset, the men pass by a schoolhouse and notice coffins leaning against it. They speculate as to whom the coffins are intended for, and it seems that the men instinctively know that these are intended for dead soldiers, or some of their own rank. The image of the coffins is highly symbolic and acts as a foreshadowing device for the carnage that unfolds. Additionally, they are at the same time more than just symbols for the men. They have a very practical function. The image, therefore, operates as a literary device but it is also more than just this. It is not just figurative; it is literal.

Paul discusses how it is pure chance that a man is able to stay alive in such conditions as trench warfare. He says, “Over us, Chance hovers. If a shot comes, we can duck, that is all; we neither know nor can determine where it will fall” (55). Although he has spoken about the instinct that one accumulates while engaged at the front, this can only take a man so far. One can learn to gauge the sound of the different artillery and can become astute in finding ways to stay alive, however, ultimately it all boils down to luck. He says that while at the front, the men are in a cage, and that they constantly “live in suspense of uncertainty” (55). The psychological effect of perpetually being at the edge of death is monumental, and it adds to Paul’s claim that while at the front, they are no longer men; they are effectively animals.

This is significant because amongst all of the fighting and warfare taking place, the men in the trenches must also contend with rats trying to eat their food. They devise ways to fend off the rats, and ultimately succeed in temporarily keeping them away by killing them. When lulls in the fighting occur, Paul tells us that “during the day we loaf about and make war on the rats” (57). Making war on the rats is a carefully chosen metaphor of their own predicament. At the front, they are the rats being tricked, manipulated, and killed off by those who hold power over them much like they hold over the rats.