57 pages 1 hour read

Stacy Willingham

All the Dangerous Things

Fiction | Novel | Adult | Published in 2023

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Chapters 37-49Chapter Summaries & Analyses

Chapter 37 Summary

Isabelle tells Waylon that she is sick so she can avoid interacting with him. She locks herself in her room and watches baby monitor footage, looking for instances of her sleepwalking. When Waylon goes to bed, she goes through his briefcase. Isabelle finds an old copy of Mason’s case report, much older than the one she gave him the week prior. She also finds a recording of an interrogation that took place between her and Detective Dozier in the early days of the investigation. She uses Waylon’s laptop and finds a file marked “X” that contains information about her and Ben, including candid shots that she has never seen before. The file also contains articles about Margaret’s death.

Chapter 38 Summary: “Then”

In the past, Isabelle sneaks out of her room to eavesdrop on her father’s conversation with the police chief. The chief comforts her father, assuring him that he is not to blame. Isabelle believes Margaret followed her sleepwalking self to the marsh and drowned.

Chapter 39 Summary: “Now”

Isabelle comes out of her memories as Roscoe growls, needing to go outside. She takes him to the backyard. She walks to Mason’s window and looks toward Paul Hayes’s house, where she sees the old man in the rocking chair. Isabelle grabs her phone and walks to his house, worried that he is a hallucination.

Isabelle introduces herself, and this time, the old man speaks to her. He claims they have met many times over the last few years, but usually, she would just wave during her nightly walks. He tells her that the last night he saw her, she was with Mason.

Chapter 40 Summary

Isabelle rushes home, confusing memories of Margaret with memories of Mason. Waylon wakes up as she slams the door. She continues to lie to him about feeling unwell. He pushes Isabelle to trust him; she instead questions him about his interview with Detective Dozier. Waylon promises to tell her about it in the morning and returns to bed. Isabelle goes to her room and resumes watching one of her sleepwalking videos. She sees herself pick up Mason and shuts the laptop, too frightened to continue watching.

Chapter 41 Summary

Ben once pressured Isabelle to freelance so she could continue writing for The Grit without him being her boss. They were married less than a year after Allison’s death. Although neither of them wanted children, Isabelle changed her mind after spending time alone as a freelancer. She stopped taking her birth control pills but did not tell Ben. She was alone when she discovered her pregnancy, feeling regret before feeling any joy.

Chapter 42 Summary

Isabelle spends much of her night thinking about picking up Mason while sleepwalking. She goes to the kitchen, where Waylon has made coffee. She questions him about his progress with Detective Dozier, not revealing that she knows he has more information than he has let on. He claims he is going to pick up the recorded interviews from the station later that day. When Isabelle asks to accompany Waylon, he rejects her, citing the “integrity of the podcast” because he does not want to appear to be taking her side (219). Enraged, Isabelle reveals she knows about his lies.

Waylon lists the evidence that supports Mason being taken by someone inside the house. Isabelle banishes him from the house, hurt by his implication that she was involved in Mason’s disappearance.

Chapter 43 Summary

Isabelle arrives at Ben’s new condo, a house in an affluent part of town. When she arrives, she hears Ben’s new girlfriend in the house. She tries to question Ben about the night of Mason’s disappearance, but he is resistant to the discussion. Isabelle pleads with him to tell the truth, even if he believes it will hurt her. Before Ben can answer, his new girlfriend steps into the doorway. Ben introduces her as Valerie, and Isabelle realizes she is the same woman involved in the church grief counseling group she met the night of Mason’s vigil. Isabelle also realizes that Ben attended the grief counseling group.

Isabelle and Ben go for a walk. Isabelle accuses him of infidelity, but he denies her claim. She finally asks if she did something to Mason, but he refuses to answer and instead returns to his condo.

Chapter 44 Summary

After meeting with Ben, Isabelle travels to Beaufort to confront her parents about Margaret’s death. As she drives, her memories linger on different moments with Margaret. The house and property are ominous as she walks to the front door and rings the doorbell, preparing to face her parents for the first time since Mason disappeared. Isabelle’s father answers the door, and she invites herself inside.

Chapter 45 Summary: “Then”

Six months after Margaret’s death, Isabelle’s father has retired and stays at home with Isabelle and her mother. Isabelle believes her mother is afraid of her. The family goes through the necessary motions to survive but ignores holidays and other events. Isabelle’s mother gives up painting and briefly sees a therapist, who gives her pills. Isabelle begins to experience insomnia and has nightmares of Margaret’s death when she does sleep.

Chapter 46 Summary: “Now”

Isabelle and her parents make uncomfortable small talk, uncertain how to interact with each other. Isabelle ruminates on her parents’ changes since Margaret’s death, before her mother asks for the purpose of her visit. She lies and claims she is working on an article. Her parents briefly discuss Mason’s case, and Isabelle remembers their discomfort when they met Mason. Isabelle brings up the idea of visiting Margaret’s grave, using it as a transition to talk about her death. She brings up her memories of the night of Margaret’s death, but her father cuts her off by repeatedly insisting that her death was an accident.

Chapter 47 Summary

After eating dinner with her parents, Isabelle watches the sunset while sitting on a dock. She heads back to the house, where she plans to stay the night. She pours a glass of wine and retires to the guest room that used to be her childhood bedroom. After listening to the house creak, Isabelle goes up to the third floor. The art studio is now used for storage, but some of her mother’s art supplies remain. Isabelle sits on the floor and sorts through her mother’s old paintings before finding the one she assumed depicted her the day the air conditioning broke (Chapter 18). Now, it features three female figures holding hands and walking into the marsh. Isabelle is startled when her mother enters the studio, crying.

Chapter 48 Summary

Isabelle struggles to understand her memories as she moves away from her mother, who tries to follow her across the studio. Her mother repeats “I was sick” (247). When her mother references Ellie, Isabelle remembers that her mother experienced a late-term miscarriage and that the baby had been named Eloise. Eloise’s nursery had been off-limits, but Isabelle and Margaret investigated it after her death—this trauma being what caused Isabelle’s sleepwalking and lapses in memory, even as an adult. Margaret’s use of the name for her doll, though accidental, was a constant reminder of the miscarriage. Isabelle remembers her mother’s increasing emotional and physical distance in the weeks between the miscarriage and Margaret’s passing.

Isabelle tries to comfort her mother about her depression, but her mother cites a deeper, more extreme illness. The conversations that young Isabelle overheard (Chapter 15) had not been about sleepwalking; they had been about her mother’s mental health.

Chapter 49 Summary

Isabelle experiences more flashbacks to the day of Margaret’s death and begs her mother for clarity. She recalls a dream-like memory of her and Margaret being guided by their mother to the marsh and Margaret walking into the water.

Isabelle’s mother admits she previously tried to kill both herself and her daughters by leaving the gas stove on, hoping they would die of inhalation, but instead started a housefire. She defends her husband, claiming the stigma surrounding mental health prevented him from arranging medical help for her. Isabelle lashes out, finally remembering her childhood as performative. She recalls her own intrusive thoughts during Mason’s infancy, comparing her imagined violence to her mother’s actions.

Chapters 37-49 Analysis

In this section, Isabelle undergoes a significant transition as she moves away from avoidance and impulsiveness and toward confrontation. She begins this section literally hiding in her room, creating physical and mental boundaries between her and Waylon to avoid confrontation. This is a mirror of the avoidance she employs against herself, evident as she repeatedly attempts to establish boundaries between her past and present. It is Isabelle’s self-doubt that inspires her to be confrontational, pursuing harder truths than the ones she investigated before. She believes herself culpable in both Margaret and Mason’s accidents, and her guilt pushes her to face her past for the first time. Her need for answers requires premeditated confrontation. This shows that Isabelle is finally ready to learn what happened to Margaret and Mason, whereas her past impulsiveness was a restriction in her journey. This also shows Isabelle’s willingness to see the world as it truly is, meaning she has started to alter the story of her life to make room for other perspectives. It is the first, necessary step to seeing Ben for who he is and ensuring he faces justice for his part in Mason’s kidnapping.

The idea of Isabelle as an unreliable narrator also grows over the course of this section, leading to the ultimate revelation that she is not the criminal she believes herself to be. Tension is built as she realizes her sleepwalking led to unconscious interactions with Mason, interactions that—according to the old man in her neighborhood—extended to the outdoors. This knowledge is a direct contradiction of Isabelle’s maternal instinct. Nighttime, once a time of quiet and rest, is reinforced as a dangerous space in which she becomes a victim of the uncanny; her sleeping self is reinforced as an enemy. Isabelle believes the old man when he claims she walked with Mason late at night, in part because it mirrors her childhood experiences.

It is important to note Ben’s role in Isabelle’s confusion and self-blame. Isabelle visits him at his condo, an intrusion into a new space that he has cultivated in her absence; she reminds him of the past while he is attempting to exist in the present. When she asks for clarity as to what happened to Mason, he refuses to answer. Ben’s refusal to answer Isabelle’s questions perpetuates her guilt in a moment later showcased to be irony; he is the one behind Mason’s disappearance. Isabelle’s guilt is a convenience to him, providing him with a shield behind which to hide the truth. As Ben departs, he warns Isabelle, “Whatever it is you’re looking for…you’re not going to find it here” (228). While Ben implies that Isabelle will not find answers nor comfort with him, this moment foreshadows the novel’s end by making it clear that her search will carry her elsewhere.

This section’s final confrontation is between Isabelle and her mother. Isabelle’s parents initially reject her attempts at clarity, insisting that Margaret’s death was an accident and refusing to explore the topic further. It is not until Isabelle and her mother are unobserved that they are able to speak plainly about Margaret’s death. Both the timing and setting of their conversation are central to the conversation itself. Isabelle and her mother speak in the latter’s studio, a place that is framed as feminine throughout the novel; in hosting the conversation here, they are able to speak as women and mothers without the interjections of male counterparts. Furthermore, their dialogue takes place at night, the time that has consistently plagued Isabelle throughout the novel. It is at the time she feels most vulnerable that she can find the truth and reach a place of better understanding, relieving her of guilt (over Margaret’s death) she has carried for decades. This becomes the first step in Isabelle’s journey to reclaim the night as a safe time, a way to combat both her insomnia and sleepwalking.

Isabelle’s mother outlines her crime alongside an acknowledgement of her own mental health struggle. She does not use her diagnosis (postpartum psychosis) as an excuse, but rather to provide context for what she did (killing Margaret). The truth frightens Isabelle because of how closely it aligns with her own experiences as a mother. She recognizes parallels between her struggles with Mason and her mother’s actions. In this rumination, Isabelle revisits the fallibility of her own memory, realizing her own forgetfulness is an extension of losing her youngest sister (Eloise). Isabelle losing both of her sisters results in layers of trauma that extend to her current life, perpetuating her difficulties with narrative and grief.