52 pages 1 hour read

Sally Green

Half Bad

Fiction | Novel | YA | Published in 2014

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Labels

Labels of one kind or another are constantly being foisted on Nathan. They symbolize attempts to define him and relate to the theme of Identity and Identification. The first example occurs shortly after Nathan’s birth when the Council issues an order to designate the witch status of various members of each magical household in the realm. Nathan’s status is quantified. He is called a Half Code because half of his genetic makeup is Fairborn, and the other half is Blood Witch. Thus, he is labeled B 0.5.

This label is constantly being evaluated as Nathan appears annually before the Council to answer questions. They wish to determine his status as a Fairborn but never succeed in doing so. Nathan is also labeled because he is the son of Marcus. According to Jessica, Marcus is evil incarnate, so his son must be just as bad. There is no basis for reaching this conclusion other than Jessica’s prejudice, but the label sticks until Nathan is old enough to judge for himself.

A more infamous labeling incident occurs when the O’Brien brothers carve two letters into Nathan’s back with a hunting knife. His right side bears the letter F, while the left displays B. In some sense, this attempt to mark him physically is also an attempt to prevent him from aligning with either faction. He will always be half.

The most elaborate example of labeling is Wallend’s application of tattoos. The lettering once again corresponds to the B 0.5 designation, but the tattoos themselves are intended as a means of controlling Nathan’s actions. Factional identification is supposed to become his future identity, but he manages to escape that fate in time. 

Nature

Nature frequently appears in the novel. It symbolizes the elemental qualities still retained by the Blood Witches and speaks to the theme of Wild Versus Tame. As previously mentioned, Nathan feels more at home when outside in nature. He often travels to Wales and always needs to sleep outdoors when the moon is full.

For the most part, Fairborn Witches are depicted as urban creatures. Their Council headquarters is located in London. They prefer the conveniences of modern living and have grown dependent on cell phones, automobiles, and guns. Even their Gifts tend to be products of civilization. Gran makes potions, as do many other Fairborn Witches. Nathan’s mother had a Gift for healing, as does Arran. In contrast, the Blood Witch gifts seem more connected to nature.

Marcus’s original Gift was his ability to change into animal form. Since he prefers to assume the shape of big cats, this allows him to act as a predator when he eats the hearts of those enemies whose Gifts he wants to acquire. Other Blood Witches can shoot fire from their hands. A Blood Witch by affinity, Rose can transform herself into a mist. Mercury can control the weather and create storms at will. Gabriel is a shapeshifter but gets stuck when he assumes a fain form, which indicates that mimicking humans is a trait that Blood Witches can’t manage easily, nor do they want to do so. They prefer to remain isolated in the countryside, where Blood Witches can remain wild at heart.

The Council

The Council of Fairborn Witches makes its presence felt on nearly every page of Half Bad. The Council symbolizes moral and political authority and relates to the theme of Separating Good form Evil. In fulfilling its mission, the group believes that the best way to purge evil is to rid the British Isles of Blood Witches. The Fairborn Council certainly views its work with sanctimonious pride. As Nathan is told by a Council member, “Fairborn Witches use their Gifts for good. And that is how you can show us that you are Fairborn, Nathan. Use your Gift for good. Work with the Council, the Hunters, Fairborn Witches the world over. Help us” (211).

The words sound pious and are an assertion of moral superiority, but the tactics of the Council suggest exactly the opposite. As Nathan rightly points out, “I’ve been kept in a cage for nearly two years. I’ve been beaten and tortured and kept from my family, my family of Fairborn Witches. Tell me which bit of that is ‘good’” (211).

What makes the situation so confusing is that the voice of authority is typically aligned with goodness. The job of a governing body is to look after the well-being of its citizens. Clearly, the Council uses its authority to intimidate and murder rather than uphold justice. Nathan’s difficulty in forming his personal identity is further complicated by the need to declare identification with one faction or another. The Council really doesn’t make a very good case for its “goodness.”