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William WordsworthA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
While Wordsworth presents nature as a powerful force, a quasi-divine entity—occasionally personified as a unified agent: “Nature” (Line 131)—many details in the poem particularize that abstraction and describe specific natural manifestations. The very first line mentions the “meadow, grove, and stream” (Line 1), followed by “[w]aters” (Line 14), and “[w]inds” (Line 28). Living creatures are also included, from the rose (Line 11) to birds and lambs (Lines 19-20) to the shepherd boy (Line 35). This range is important because Wordsworth wants to emphasize nature’s all-encompassing persona. There is a continuum between all these natural entities, from the moon to the child. That sense of universal connection is one reason why the world feels so imbued with heavenly glory.
Another reason is its spectacular diversity and vibrancy, which is reflected in the poem’s vivid sensory details. In addition to sights, sounds permeate the poem: birds, drums, shouts, winds, waterfalls, and more. Children gather “[f]resh flowers; while the sun shines warm” (Line 48). The scent of the flowers and the tactile sensation of the sun’s warmth contribute to the multisensory effect. This profusion of details is a reminder that, for Wordsworth, one reaches the spiritual quality of nature less through abstract thought than by being sensitive to the beauty and wonder of individual natural forms.
By William Wordsworth
A Complaint
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A Slumber Did My Spirit Seal
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Composed upon Westminster Bridge, September 3, 1802
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Daffodils
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I Wandered Lonely as a Cloud
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Lines Composed a Few Miles above Tintern Abbey ...
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London, 1802
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Lyrical Ballads
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My Heart Leaps Up
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Preface to Lyrical Ballads
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She Dwelt Among The Untrodden Ways
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She Was a Phantom of Delight
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The Prelude
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The Solitary Reaper
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The World Is Too Much with Us
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To the Skylark
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We Are Seven
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